Artist residency during the Biennale de l’image Possible, Liège

Solo exhibition at Sint Annakasteel, Maldegem

Fred and Ferry Gallery invites you to “We Get Along So Well”, an "office intervention" by Stephanie Lamoline. This presentation is in collaboration with EMERGENT, a platform for contemporary art in Veurne.

Stephanie Lamoline's work consists of series that unfold around a specific object and in which the working process of deconstruction and reconstruction is central.

Using simple pictorial interventions and a very plastic approach to the photographic medium, she shows her subject in all its facets and reveals the endless possibilities contained therein.

Taking the objects out of their specific context and moving them into her studio creates a real collaboration where the artist and her subject inspire and influence each other on an equal level.

The opening will take place on Saturday, Oct. 14, from 1 p.m. to 6 p.m. The exhibition will then remain on view until November 11, each Thursday through Saturday from 1 p.m. to 6 p.m.

Art Space Lumos and Daegu Photo Biennale

Hong Kong Photobook Festival at Lumenvisum Arts Center, Hong Kong

Groupshow “Tempus Fugit”

Sint Annakasteel, Maldegem, Belgium

IN TOUCH: an exhibition featuring 100 contemporary artworks displayed on billboards throughout the streets of Antwerp, accompanied by audio descriptions of artworks and an additional exhibit on over 100 digital boards. From 12th June to 10th July 2023, in the streets of Antwerp.

I will participate with an image from the series Quatre Mains / Zonder Handen

The work “Konijnenhol” from the series Dikke Vrienden will be on view for the Kunstoevers festival at Amok Art Space, Esplanadstraat 14, Aalst.

Artbook fair dedicated to special editions

Quatre mains / Zonder Handen will be on view at the Singapore International Photofestival.

A competition and exhibition organized by the City of Kortrijk and Be-Part. The work of the selected artists will be shown at ‘De Paardenstallen’ in Kortrijk. The exhibition is free of charge.

With MAKING FUN, de Warande and STORMOPKOMST present an exhibition in which the pleasure of making is palpable. The participating artists start from a fundamental urge to play. They cut and paste, mutilate and twist, build up and break down. Their work is intended to scour, flirt, pop and repel. Sometimes frolicsome, frivolous and light-hearted but equally dry, straightforward and in your face. With both hands in the clay, head in the clouds and two feet forward, loose in the moment. Spontaneous, impulsive, direct.

They make fun of the truth, put you on the wrong foot, only to confront you with the facts. Some mock, for others it is purely about aesthetics, even some form of melancholy can be detected here and there.

Although their works can often be understood at a glance and may look playful and cheerful, these artists cannot be accused of 'escapism'. Their work is uncompromising and not shy of any kind of self-deprecation.

They adopt a critical attitude towards the prevailing speed of today's visual culture and relate to art history while dancing. They bend the popular media to their will, only to abuse it and go straight against it.

They say 'Je m'en fous', 'long live life', 'long live art'.

With works of: Mohamed Alani, Paul Casaer, Jesse Cremers, Leon de Bruijne, Willem de Haan, Nikolaas Demoen, Fleur De Roeck, Kasper De Vos, Johan De Wit, Sam Druant & Justine Grillet, John Wood & Paul Harrison, Stephanie Lamoline, William Ludwig Lutgens, Simon Masschelein, Karl Philips, Marius Ritiu, Robbert & Frank Frank & Robbert, Manon Kündig & Klaas Rommelaere, Wim T. Schippers, Gunther Segers, Lieven Segers, Stijn ter Braak, D.D. Trans, Roeland Tweelinckx, Charline Tyberghein, Ruth van Beek, Fran Van Coppenolle, Jan Vandeplancke, Hannelore Vandepoel, Rinus Van de Velde, Fleur van Dodewaard, Floris Vanhoof, Bram Van Meervelde, Hans Wuyts, de zwarte zusters

4 SOLO's

26/02/2022 - 17/04/2022

Vier kunstenaars gaan op geheel particuliere en eigenzinnige manier om met principes als lichamelijkheid en vervreemding; dat mondt bij Emergent uit in vier boeiende solo’s.